Self-Portrait in a Convex Mirror: Poems (Penguin Poets) [John Ashbery] on *FREE* shipping on qualifying offers. John Ashbery’s most renowned. Written in a style often described as verbal expressionism, “Self-Portrait in a Convex Mirror” is the title poem in the collection for which John Ashbery won a. John Ashberry won the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award for Self-Portrait in a Convex Mirror. Ashberry.

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After all, he is the head of the epistemological revolution in American poetry says T. VPR Click picture for information. Mind you, there are certainly some memorable lines i Having just read a biography of John Ashbery, I decided I needed to read more of his poetry, so I decided to start with the collection that won the trifecta of the Pulitzer Prize, the National Book Award, and National Book Critics Circle Award when it was published in Therefore I beseech you, withdraw that hand, Offer it no longer as shield or greeting, The shield of a greeting, Francesco: Slf-portrait inversion is revealed in the first section of the poem, when Ashbery, after describing Parmigianino’s technical-methodology, reflects that the effect the artist has achieved has been to capture the soul: May 09, Steve rated it did not like it Shelves: Learn more about Amazon Giveaway.

The critic reflects the work he studies—quotation, paraphrase, photographic reproduction are mirror images of a special type—by reflecting upon it; the specular thus leads to the speculative, as Ashbery suggests:.

This is its negative side. This one won a Pulitzer Prize, with the famous poem, “Foreboding” and the great title poem. None of the poems grabbed me. Be the first to ask a question about Self-Portrait in a Convex Mirror.

As the poem progresses, it discusses tradition and interpretation and perspectivism in understanding reality. This new book continues his astonishing explorations of places where no one has ever been. This is an open group anyone can join and currently consisting of more than members. Inpoet, literary critic, and art historian David Shapiro explains in John Ashbery: But the center Keeps collapsing and re-forming.

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And we realize this only at a point where they lapse Like a wave breaking on a rock, giving up Its shape in a gesture which expresses that shape. While in France, Ashbery wrote two poetry collections The Tennis Court Oathpublished inand Rivers and Mountainspublished inself-porttrait of which were regarded as highly controversial. And yet, they relate to an inner consciousness, a character or perspective.


This could have been our paradise: It is another life to the city, The backing of the looking glass of the Unidentified but precisely sketched studio. At once academic in that it is self-portraiy difficult to decipher techniques and designed by way of its subject matter to appeal to a convsx audience, Pop art asserted, in much the same way the abstract expressionism did, a faith in the idea of artistic possibility.

His career has been long and productive.

Self-Portrait in a Convex Mirror by John Ashbery

To convert the feelings evoked by, or contained within, the portrait, or within the poet’s own self, into poetry means finding words for the ineffable, a paradoxical and doomed endeavor, but one which the poet, as Ashbery self-portrrait the role, is destined to undertake continually:.

This nondescript, never-to-be defined daytime is The secret of where it takes place And we can no longer return to the various Conflicting statements gathered, donvex of memory Of the principal witnesses.

Cite this article Pick a style below, and copy the text for your bibliography. Top Reviews Most welf-portrait Top Reviews. Just a moment while we sign you in to your Goodreads account. The appreciation of syntax–here is a poet finding the poetry of the American idiom, as Willi Perhaps his best, and his most accessible.

The choice appears to have been made for the sake of artifice alone. The effect is one of displacement once the realization that it is not your own reflection is made. Jun 19, Stop added it. But what is this universe the porch of As it veers in and out, back and forth, Refusing to surround us and still the only Thing we can see? What should be the vacuum of a dream Becomes continually replete as the source of dreams Is being tapped so that this one dream May wax, flourish like a cabbage rose, Defying sumptuary laws, leaving us To awake and try to begin living in what Has now become a slum.

In his mirrog, Ashbery addresses the artist, discusses and questions him about his painting, and quotes commenters on the painting contemporary and modern. The balloon pops, the attention Turns dully away.

Self-portrait in a Convex Mirror – Wikipedia

There is no other way, and those assholes Who would confuse everything with their mirror games Which seem to multiply stakes and possibilities, or At least confuse issues by means of an investing Aura that would corrode the architecture Of the whole in a haze of suppressed mockery, Are beside the point. Ashbery seems determined not to let his language get too “fancy” and I fear that I miss that, perhaps because many of my favorite poets have no qualms at all about letting their language get very fancy indeed.


Integrity of the book is intact and as described. New York City is a cultural center that promotes the arts in a variety of forms, including theater, painting, photography, literature, and music. I technically finished this book after a year of studying it, but I will no doubt continue to return to it, especially the long title poem, to continue to peel through its layers. Dear Janet Grau, Yes, you certainly may quote from the article.

The diction shifts markedly in the poems from the solemn to the profane. I think it’s very valuable for me to act just the way I am and not pretend to be any smarter or nicer than I actually am and to really be quite silly every now and then. It is closer to the chaos, or truth, or to the ideal form that we sometimes touch but ceaselessly forget, and that we consistently try to remember, in the same way we try to remember our dreams once we are awake.

The work is very much about its own self-reflexivity. Heffernan studies ekphrasis the practice of describing works of visual art as a struggle between two modes of representation and discusses Ashbery’s work within this larger framework. Withoutabox Submit to Film Festivals.

The appreciation of syntax–here is a poet finding the poetry of the American idiom, as William Carlos Williams jkhn. A few leaded panes, old beams, Fur, pleated muslin, a coral ring run together In a movement supporting the face, which swims Toward and away like the hand Except that it is in repose. Mannerist works of art were highly individualistic and featured distortions of perspective and qualities that were artificial or exaggerated rather than naturalistic.