Check out Candombe En Mi (Maximo Diego Pujol) by Adam Khan on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on Septiembre Rojo y Negro. Cinco preludios. Preludio rockero. Preludio tristón. Tristango en vos. Curda tangueada. Candombe en mi. Sonatina Allegro rítmico. 7 items Shop candombe en mi by maximo diego pujol sheet music, music books, music scores & more at Sheet Music Plus, the World’s Largest Selection of.

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The work for guitar and string quartet begins in vigorous tango rhythm, with alternating meditative sections, but it is the songful second movement that is the most distinguished.

Candombe en mi by Maximo Diego Pujol – Classical Guitar

Its second movement, once again, exploits an obsessive figure, but its deeply felt conclusion is impressive: Elegia por la muerte de un tanguero. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your ,i recordings from the past, you will find it all in our full-searchable Reviews Database. The all-time greats Read about the artists who changed the world of classical music.


She is well partnered by the other players; and the recording is excellent, beautifully clear and with just the right amount of resonance.

The Sonatina he wrote two years later, and with which he won several prizes, shows greater resource in its layout and its harmony, and while conspicuously utilizing Argentinian dance ;ujol is fairly sparing of cliches. Maximo Diego Pujol Composer. Pujol Chamber Works 5 Preludios.

Its first movement is much the best: Skip to main content. Gramophone’s expert reviews easier than ever before.

The suite with violin, which depicts various barrios of Buenos Aires, could well prove a popular success: If you are a library, university or other organisation that would be interested in an candombw subscription to Gramophone please click here for further information.

The other work here for solo guitar, the elegy for Piazzolla which quotes from two of his works dates from a decade later. After the recent run on Piazzolla we move on to the next generation of Argentinian composers.


His Five Preludes which have also been recorded by Paul Candobme on Claudio were written candkmbe he was 20, and their improvisatory character may partly be due to the fact that at that time he had had no formal musical education: Composition Artist Credits 5 Preludios.

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Maria Isabel Siewers is an admirable guitarist, with a clean technique, subtle nuances of rhythm and tone some particular delicacy in the fourth Imand in the Elegy her differentiation of simultaneous tonal planes is exemplary.